中国影响力美术人物学术研究与交流平台

法国摄影师

让-保罗布迪尔

一个创作隐形人的高手，

他能让模特的身体与沙漠、雪原

以及其他自然风光融合在一起，

据他自己说，他的灵感

源于发现自己和世间万物没有隔阂。

Jean-Paul Bourdier is a photographer of unique style, skilled passion and compelling imagination. His images balance across the nexus of multiple crafts – among them painting, poetry, and performance art.

His work is stunningly original, brimming with self-assurance, and paradoxically, both simple and yet complex. Each image is a unique scene – created, staged, captured - of natural landscapes joined with the human form, expressing beauty, truth and wonder in the physical plane, as well as what is in our imaginations.

Jean-Paul uses no digital enhancement; it is all analog photography. What you see is what was really there.

Jean-Paul Bourdier is a Professor of Architecture, Photography and Visual Studies at the University of California, Berkeley. His earlier photographic publications include Leap Into the Blue, 2012;

Bodyscapes, 2007; and he has authored books on traditional dwellings in West Africa (Vernacular Architecture of West Africa, 2011, Habiter Un Monde, 2005: Drawn From African Dwellings, 1996, and African Spaces, 1986) written with Trinh T. Minh-ha. He has collaborated with Trinh T.

Minh-ha on several installations including The Desert is Watching (2003 Kyoto Art Biennale, Japan) and L’Autre marche (2006 Musee du Quai Branly, Paris).

He was co-producer and co-director of eight feature-length films directed by Trinh T. Minh-ha. He was born and raised in France, taught in Italy and Senegal, and moved to the US where he has taught in several universities. He permanently resides in California.

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