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朴贤珍

1970年生于韩国首尔

在韩国生活和工作

毕业几年后，他在汉城举办了几次展览

后来参加了在中国北京举办的国际活动

他目前活跃在纽约

展览

2014从开始到今天，

瓦尔达和悉尼贝斯霍夫收藏

新奥尔良艺术博物馆，新奥尔良

路易斯安那州，美国

2013-14美国俄克拉荷马州俄克拉荷马市

俄克拉荷马市艺术博物馆

照片现实主义重访

《2012娃娃脸：解构亚洲偶像》

纽约贝尔纳杜奇·梅塞尔画廊

中国北京798艺术区太空达画廊

Born in Seoul, South Korea (1970)

Lives and works in Goyang-si, South Korea

Exhibitions

2014 Photorealism: Beginnings to Today, The Walda and Sydney Besthoff Collection, New Orleans Museum of Art, New Orleans, Louisiana, USA.

2013-14 Photorealism Revisited, Oklahoma City Museum of Art, Oklahoma City, Oklahoma, USA.

2012 Doll Face: Deconstructing the Asian Idol, Bernarducci Meisel Gallery, New York and Gallery Space DA, 798 Art District, Beijing, China.

他希望作品中的人物在保持写实主义立场的同时，能激起一些超越照片写实主义冷静客观的氛围。

这可能是因为他生活在一种东方文化中，重视精神体验而不是现实。他生活在一个既能体验东方文化又能体验西方文化的环境中。这种文化差异可能在他的工作中扮演重要角色。

Park Hyung Jin completed a bachelor’s course at the Hansung University School of Fine Arts and a master’s course at its graduate school. He studied academic painting, photography, and Oriental art there.

A few years after graduation he held several exhibitions in Seoul, later joining international activities in Beijing, China. He is currently active in New York.

Bernarducci.Meisel.Gallery was a turning point in his artistic career. Because he dreamed of holding exhibitions at the gallery above, that is of greatsignificance in his artistic career.

His works are in the collections of individual collectors like Howard Tullman in Chicago, and a few art museums including the National Museum of Contemporary Art, Korea. He presently teaches painting at Konkun University and Hansung University.

Viewers may regard his works as photorealism. However, he says his pieces are the natural results of the processes of his work. What’s important for him is to create figures more accessible to an aesthetic utopia than real people. Unlike other photorealists, he does not stick to details when expressing the skin. He wants to express immaculate, perfect skin as sleek as Oriental ceramics.

He represents perfect beauty through a process of modification instead of initially employing beautiful models. This is his way of expressing ideal beauty.

Unique images rather than extreme depictions are important to the artist. He wants figures in his works to provoke some atmosphere beyond the cool-headed objectivity of photorealism while maintaining the stance of realism.

This is probably because he lives in an Oriental culture that values spiritual experience over reality.

He lives in an environment in which he can experience both Eastern and Western culture. Such cultural gaps may assume a significant role in his work.

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