泰奥多尔·席里柯

法国, (1791-1824)

席里柯（Théodore Géricault, 1791-1824）被誉为法国浪漫主义艺术的先驱，在世仅短短的33年，席里柯的才能和气魄对法国画坛产生了不可磨灭的影响。

作品欣赏

Officer of the Chasseurs charging on horseback,1812

画家席里柯（Théodore Géricault, 1791-1824）被誉为法国浪漫主义艺术的先驱，在世仅短短的33年，席里柯的才能和气魄对法国画坛产生了不可磨灭的影响。

The Raft of the Medusa,1818-1819

席里柯生于法国鲁昂，幼年随全家迁往巴黎，1808年从画马名家韦尔内学画。1810年入盖兰画室，与德拉克洛瓦相识，常去卢浮宫临摹古代大师的名作。学生时代席里柯就表现出不肯循规蹈矩地遵从古典原则的气概，被他保守的老师所排斥，认为他学画没有什么前途，最好改行。以后席里柯去意大利学习，惊叹米开朗基罗的创造力，成为这位大师的崇拜者。

The Blacksmith's Signboard,1814

席里柯有志于创新，注重个人情感的表达，在作品中往往流露出米开朗基罗般的宏伟感和运动感。席里柯常从现实生活中获取灵感，描绘他一生热爱和熟悉的马匹和骑手，绘制大量速写然后进行创作。席里柯的第一幅参加沙龙展的作品《冲锋的骑兵军官》，表现了战火纷飞的战场上一位挥刀驰骋的指挥官，荣获金奖。席里柯还创作了取材于当代事件的不朽巨作《梅杜萨之筏》。席里柯的作品曾去英国展出，得到很高的评价。

Slaves stopping a horse, study for The Race of the Barbarian Horses,1817

席里柯一生与马紧密相连，他自幼崇拜驯马，以后又绘制了多幅关于马的作品，如《狮攫马》、《埃布松赛马》（1821年）等，席里柯画马的习作多达上千幅，最后因坠马受伤身亡，年仅33岁。

The Wounded Cuirassier,1814Anatomical Pieces,1819The Epsom Derby,1821Portrait of a Kleptomaniac,1819-1822Horse leaving a Stable,1810Head of a horseman,1812Portrait of the Carpenter of The Medusa,1812The Wounded Cuirassier,1814Thethree skulls,1812-1814Wounded Cuirassier,1814Rifleman,1814PortraitofRifleman,1814The head ofwhite horse,1815The Kiss,1816Study for the Race of the Barbarian Horses,1817The Wild Horse Race at Rome,1817Leda and the Swan,1817TheHorse Market,1817Naked man reversed on the ground,1817Artillerycaisson,1818Boxers,1818Heroic Landscape with Fishermen,1818The Return from Russia,1818Themurderers carry thebody of Fualdes,1818Wagons filled withwounded soldiers,1818A Portrait Of A Young Man,1818A man,1815-1819Head of a Drowned Man,1819Head of a Shipwrecked Man (study for the Raft of Medusa),1817-1819Portrait of Eugene Delacroix,1818-1819Portrait of Louise Vernet as a Child,1818-1819Portraitof AlfredandElizabethDedreux,1817-1819Study for The Raft of the Medusa,1819Young blond man,1818-1819English Jockey,1820Horsecarriage,1820PortraitofLaureBro,1818-1820Theasleep fishmonger,1820ThePageMazeppa,1820Alfred Dedreux as a Child,1819-1820PortraitofMustapha,1820Scene of the Deluge,1820EntranceTo TheAdelphiWharf,1821Head of an Oriental, or Portrait Presumed to be Mustapha,1819-1821Horsein thestorm,1820-1821Horses going to a fair,1821The Tempest,1821TheBagpipeplayer,1821Dead Cat,1821Horses,1821Man on the street,1821The head of lion,1821Coal cars,1821-1822Five horses seen from behind with croupes in a stable,1820-1822The Madwoman, or The Obsession of Envy,1822The Woman with Gambling Mania,1819-1822Horses of the Auvergne,1822Portrait of a Man, The Vendean,1822-1823StudyforDead horse,1823The Plaster Kiln,1822-1823TheInsane,1822-1823Three horsesintheirstable,1822-1823Twopost-horsesatthestable,1823Study of a Dapple Grey,1812-1824The Horse Race,1820-1824The Horse Race,1820-1824Maria Serre,1824Shipwreck,1821-1824OldItalianpeasant,1824